Category — Copyright
In the case Facebook vs StudiVZ the Regional Court Dusseldorf ruled against Facebook, allowing StudiVZ to continue their service.
StudiVZ is a German social networking site similar to Facebook. The very similarity was also the reason for Facebook’s legal action against StudiVZ. The court ruled that despite a similarity of look & feel, StudiVZ does not misrepresent its origin and is no unfair imitation of Facebook. Facebook did not have enough profile in the German market when StudiVZ came to market in 2005. In so far as Facebook claimed that StudiVZ had unlawfully copied proprietary php code, Facebook did not provide enough evidence to prove a copyright infringement.
(Regional Court Dusseldorf 16.06.2009, 33 O 374/08)
So, the German tradition of scouting new Internet trends in the US and bringing them to market in Germany will continue. Sad but true, there are many successful Internet start ups in Germany but probably less than a handful genuine German “first movers”. The rest is “me too”.
July 1, 2009 No Comments
The concept of “extraction” within the meaning of Article 7 of Directive 96/9 EC does not necessarily require physical copying. Transferring the elements of one database to another database following visual consultation of the first database and a selection on the basis of a personal assessment of the person carrying out the operation can also be an extraction pursuant to Article 7 of Directive 96/9.
Directive 96/9 EC is meant to provide “legal protection of databases in any form”. Article 7 of this Directive stipulates a sui generis right to the maker of a database to prevent extraction, provided the maker has made a substantial investment in the database (e.g. time).
Here the European Court of Justice (ECJ) had to decide a case where the claimant had created an anthology based on a list of verse titles of important German poems, which he (the claimant) had compiled and published on the Internet. The defendant has published a CD ROM “1 000 poems everyone should have” whereby the vast majority of poems in this collection also appear in the list published by the claimant.
The defendant selected the poems as follows:
The claimant’s list was used as a guide. Certain poems on the list were omitted, and others added. Each poem was critically examined before selected for inclusion in the CD ROM. The actual texts of the poems were taken from the defendant’s own resources.
(European Court of Justice 09.Oct. 2008, C‑304/07)
Based on this decision the “screen scraping” decision of the Higher Regional Court of Frankfurt (6U 221/08) could have well been a different one. It looks a bit as if the court wanted to get the work done quickly without digging too much into detail. So they choose the easy route, ruling that no essential parts of that database were affected nor did the screen scraping process interfere unreasonably with database maker’s legitimate interest. By going down this path, there was no need to deal with the concept of extraction and other principles related to Directive 96/9.
June 29, 2009 No Comments
The Higher Regional Court of Frankfurt has decided, that using a method called “screen scraping” to refer customers to buy airline tickets online is legal and does not infringe copyrights.
The claimant operates a website where users can search for flights. Based on these search queries, flight schedules on (airline) websites are being searched by a spidering tool to retrieve matching flights. Relevant results (including price) are then displayed back on the claimant’s website, whereby the Internet user has the opportunity to book flights. The defendant stated that this practice was unlawful, especially infringing their copyrighted database.
The court has decided that “screen scraping” did not infringe the defendant’s copyrights. Data records of single flight connections can not be deemed as “essential parts” of the database. The screen scraping process is not a duplication or use pursuant to Art. 87b (1) Copyright Act.
The court further reasons, that the screen scraping still was within the limits of normal analysis and that the defendant’s interests were not unreasonably interfered with.
(Higher Regional Court Frankfurt/ Main, 05. March 2009 - 6 U 221/08 )
I think one should be careful here. It would be hazardous to take this decision as a free ride to harvest web sites on the Internet. Slight differences in the scraping process or monetizing model might as well have led to a different outcome.
June 24, 2009 No Comments
US and German copyright laws are based on different principles which often causes confusion. One of the main differences relates to the creator’s exploitation rights. Pursuant to the German Copyright Act, a creator may sell the rights of utilisation but will retain in essence all exploitation rights.
June 3, 2009 1 Comment
A common misconception seems to be that ideas can be protected by Copyright laws. For example the concept of a new TV show.
A nice idea, as under the German Copyright Act works are protected from the moment of their creation, no further formalities required. Unfortunately, ideas are not protected under the German Copyright Act.
Generally spoken, the Copyright Act protects the form an idea is given. How a work is composed and structured. The underlying idea itself is not protected. Admittedly, it can be quite difficult to distinguish “form” and “idea” from one another. The more alike two compositions the more likely a copyright infringement is.
The same misconceptions apparently exist in the UK. Click here for a detailed and comprehensive article from one of my favourite UK IP blawgs, Shireen Smith’s IP-brands.
May 28, 2009 No Comments